Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made out in the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who can they think should pay for that unrest? Katniss. And what's worse, President Snow has managed to get clear that no-one else remains safe and secure either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to become one of the most discussed books from the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from the start that The Hunger Games story was intended being a trilogy. Did it really end the way you planned it from the beginning?

A: Very much so. While I did not know every detail, of course, the arc in the story from gladiator game, to revolution, to war, towards the eventual outcome remained constant throughout the writing process.

Q: We understand you worked for the initial screenplay to get a film being depending on The Hunger Games. What will be the biggest distinction between writing a novel and writing a screenplay?

A: There have been several significant differences. Time, for starters. When you are adapting a novel in a two-hour movie you can't take everything with you. The story has to become condensed to match the brand new form. Then there is the question of methods best to take a book told within the first person and provides tense and transform it in to a satisfying dramatic experience. In the novel, you won't ever leave Katniss for the second and therefore are privy to any or all of her thoughts so you'll need a method to dramatize her inner world and to produce it feasible for other characters to exist beyond her company. Finally, you have the challenge of the way to present the violence while still maintaining a PG-13 rating to ensure that your core audience can view it. A great deal of situations are acceptable over a page that wouldn't be on the screen. But wait, how certain moments are depicted could eventually be inside the director's hands.

Q: Are you in a posture to consider future projects while working on The Hunger Games, or are you immersed inside the world you're currently creating so fully who's is simply too challenging to think about new ideas?

A: We've several seeds of ideas boating inside my head but--given that much of my focus remains on The Hunger Games--it is going to be awhile before one fully emerges i can begin to develop it.

Q: The Hunger Games is an annual televised event by which one boy and something girl from each from the twelve districts is expected to participate in a very fight-to-the-death on live TV. What can you believe the appeal of reality television is--to both kids and adults?

A: Well, they're often set up as games and, like sporting events, there's an desire for seeing who wins. The contestants are often unknown, which makes them relatable. Sometimes they've got very talented people performing. Then there is the voyeuristic thrill—watching people being humiliated, or taken to tears, or suffering physically--which I find very disturbing. There's also the potential for desensitizing the audience, to ensure that when they see real tragedy playing out on, say, the news, it won't hold the impact it should.

Q: Should you were instructed to compete within the Hunger Games, so what can you think your skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I became trained in sword-fighting, I guess my best hope would be to acquire hold of your rapier if there were one available. But the truth is I'd probably get with regards to a four in Training.

Q: What would you hope readers will come away with once they read The Hunger Games trilogy?

A: Questions about how elements in the books could be relevant of their own lives. And, if they're disturbing, what you might do about them.

Q: What were some of the favorite novels when you're a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord with the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a single more Hunger Game, but this time it can be for world control. While it can be a clever twist around the original plot, it indicates that there is certainly less focus about the individual characters and much more on political intrigue and large scale destruction. That said, Carolyn McCormick will continue to breathe life into a less vibrant Katniss by showing her despair both at those she feels in charge of killing and possibly at her very own motives and choices. This is an older, wiser, sadder, and incredibly reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn from the rebels along with the victim of President Snow, who uses Peeta to attempt to control Katniss. Peeta's struggles are very well evidenced in his voice, which goes from rage to puzzlement for an unsure return to sweetness. McCormick also makes the secondary characters—some malevolent, others benevolent, and several confused—very real with distinct voices and agendas/concerns. She acts like an outside chronicler in giving listeners just “the facts” but in addition respects the individuality and different challenges of each and every with the main characters. A successful completion of an monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.




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