Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it in the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who will they think should pay for your unrest? Katniss. And what's worse, President Snow has caused it to be clear that no-one else is protected either. Not Katniss's family, not her friends, not the folks of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to get one with the most discussed books with the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from your start that The Hunger Games story was intended as a trilogy. Did it actually end the way in which you planned it from the beginning?

A: Very much so. While I didnrrrt know every detail, of course, the arc in the story from gladiator game, to revolution, to war, to the eventual outcome remained constant through the entire writing process.

Q: We understand you worked on the initial screenplay to get a film being according to The Hunger Games. What may be the biggest difference between writing a novel and writing a screenplay?

A: There was several significant differences. Time, for starters. When you are adapting a novel in a two-hour movie you can't take everything with you. The story has to get condensed to fit the modern form. Then there is the question of methods best to take a novel told within the first person and offer tense and transform it in to a satisfying dramatic experience. In the novel, you don't ever leave Katniss for the second and therefore are privy to all of her thoughts so you may need a approach to dramatize her inner world and to produce it easy for other characters to exist outside her company. Finally, you have the challenge of how you can present the violence while still maintaining a PG-13 rating in order that your core audience can view it. A lots of things are acceptable on the page that wouldn't be over a screen. So how certain moments are depicted may ultimately be within the director's hands.

Q: Have you been capable to consider future projects while working on The Hunger Games, or are you immersed in the world you are currently creating so fully which it is simply too challenging to take into consideration new ideas?

A: I have a few seeds of ideas going swimming during my head but--given very much of my focus continues to be on The Hunger Games--it is going to be awhile before one fully emerges and I can begin to develop it.

Q: The Hunger Games is a yearly televised event where one boy the other girl from each with the twelve districts is made to participate in a very fight-to-the-death on live TV. What can you think the appeal of reality television is--to both kids and adults?

A: Well, they're often set up as games and, like sporting events, there's an fascination with seeing who wins. The contestants are generally unknown, which ensures they are relatable. Sometimes they have very talented people performing. Then there is the voyeuristic thrill—watching people being humiliated, or taken to tears, or suffering physically--which I find very disturbing. There's also the opportunity for desensitizing the audience, in order that after they see real tragedy playing out on, say, the news, it doesn't hold the impact it should.

Q: If you were expected to compete inside Hunger Games, what can you imagine your special skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I utilized to be trained in sword-fighting, I guess my best hope would be to have hold of the rapier if there was one available. But the truth is I'd probably get with regards to a four in Training.

Q: What can you hope readers should come away with once they read The Hunger Games trilogy?

A: Questions about how elements from the books may be relevant inside their own lives. And, if they're disturbing, what they might do about them.

Q: What were some of one's favorite novels when you had been a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord of the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in one more Hunger Game, but this time around it's for world control. While it can be a clever twist on the original plot, this means that there exists less focus for the individual characters and much more on political intrigue and large scale destruction. That said, Carolyn McCormick will continue to breathe life in to a less vibrant Katniss by displaying despair both at those she feels accountable for killing and at her own motives and choices. This is surely an older, wiser, sadder, and extremely reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn from the rebels along with the victim of President Snow, who uses Peeta to try and control Katniss. Peeta's struggles are very well evidenced in his voice, which goes from rage to puzzlement to an unsure return to sweetness. McCormick also makes the secondary characters—some malevolent, others benevolent, and several confused—very real with distinct voices and agendas/concerns. She acts as an outside chronicler in giving listeners just “the facts” but in addition respects the individuality and unique challenges of each in the main characters. A successful completion of a monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.




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